I was finally able to get my hands on Gilbert Monsanto's Sacred Mountain debut releases. First up is the flipbook RAMBOL KOMIKS which features Alagad Inc. (not pictured) and Metropolitan. What is most noticeable is ALAGAD INC's art style which gets much inspiration from Japanese manga and anime. The story is about some supernatural beings, most probably ancient deities of some sort, coming down from their domain to send a challenge to Earth's mightiest champions. A group called Alagad Inc. re-recruits some of its best agents to help in this time of crisis. On the flip side is Gilbert Monsanto's METROPOLITAN which brings back Monsanto's old characters from his 90's stint in Infinity, Sonic, GASI etc. Drawn by Monsanto himself, this Metropolitan features quite a lot of fight sequences. There is also some hint that the Biotrog character featured in this book may not be the Biotrog we know and grew up with.
Next is TROPA. This comics stars a group of high school friends imbued with different abilities via different circumstances. I'm not saying no more. All is explained in this "origin" issue. This comic was drawn by different artists like Gilbert Monsanto, Luisito G. Antonio, Jim Jimenez, and others. Though I was first bothered when I learned about this via Monsanto's blog, I was quite satisfied with the implementation and the results. Each artist draws each of the main character's origin story. Hopefully once we get a non-flashback story, we'll also get only one artist per issue.All in all, I found the both books quite satisfactory. The materials used for these releases are also quite different from the komiks back in the day. Komiks before were printed on newspaper-like materials, Tropa was printed on glossy paper probably the ones used on magazines while Rambol on some thicker paper. My only big problem with the books specifically the flipbook Rambol Komiks was the coloring. Although Tropa was fully colored, Rambol only had colors on the first few pages, the rest were black and white. I would have preferred to have everything in black and white instead of having only the first few pages colored. I'm OC that way.
One of the titles I got was MARK 9 VERSE 47 by Maika Ezawa and Tepai Pascual. I read volume 1 at the airport while waiting for my flight back to Singapore so forgive me if I don’t remember a lot about the story. It’s about a mysterious man named Visdei who was tasked to look for a certain gatekeeper. He has the ability to see angels and demons but aside from that he is blind. There are a lot of other character introductions here and I kinda forgot some of them except for the main antagonist named Mal. The second volume which I read just now depicts the “origin” of Visdei. It’s a more compelling read than the first one since we learn how Ron Hunter turned from a vicious a-hole prize fighter to the agent of God we first met. My only problem with the second volume is that it ended (bitin!). The art on this title is gorgeous. Depicted in manga-style, the action sequences and layouts are dynamic. You can tell that the artist really knows her craft because you’d think that this was really a manga from Japan. I hope the next time I go to Komikon there is already a third volume available. 
Another day, another review. w00t. Servant created by Geoffrey Borgonia tells the story of Gabriel Barreon, a call center agent slash superhero. His origin is that he is the son of the king of the pagan gods of old. Sent to our world for his own protection, Gabriel grew up as a human, taught about truth, justice and power and responsibility. He's also a geek and a big nerd.
OH MY F*CKING GOD! This book is bad-ass. Mike Ignacio delivers a retelling(?) of the